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Ghana’s Asante King Celebrates Return of 130 Looted Royal Artefacts from UK and South Africa”

Helen Okoro 2 months ago 3 min read

By : Chinasaokwu Helen Okoro

Ghana’s Asante King Celebrates Return of 130 Looted Royal Artefacts from UK and South Africa

The Asante Kingdom of Ghana has received a significant cultural homecoming with the return of 130 royal artefacts from the United Kingdom and South Africa — a gesture hailed as both an act of reconciliation and a milestone in Africa’s broader fight for the repatriation of looted heritage.

The artefacts, comprising gold and bronze regalia, ceremonial drums, and intricately crafted gold weights, were formally presented to Asante King Otumfuo Osei Tutu II at a ceremony held on Sunday at the Manhyia Palace in Kumasi. Many of the items date back to the 19th century and carry deep cultural, religious, and historical symbolism for the Asante people, revealing the central role gold played in their royal and spiritual traditions.

Of the 130 returned artefacts, 25 were personal donations from British art historian Hermione Waterfield, while the remainder were voluntarily returned by the South African mining giant AngloGold Ashanti. Ms. Waterfield, a former curator at London’s Christie’s auction house and a pioneering advocate for African art restitution, had amassed a private collection over decades. Her contribution includes a wooden drum believed to have been looted by British forces during the 1900 siege of Kumasi.

The rest of the pieces, returned by AngloGold Ashanti, were acquired legally through open markets, according to company officials. The mining firm, which operates one of Ghana’s largest gold mines in the Ashanti region, said its gesture was one of “cultural respect and reconciliation.”

Speaking at the handover ceremony, King Osei Tutu II expressed gratitude to both parties for what he described as a “powerful act of goodwill and respect for the source and legacy of the Asante Kingdom.” The monarch praised AngloGold Ashanti’s decision to return artefacts it had acquired legitimately, noting that such voluntary repatriations symbolize a growing global understanding of cultural justice.

“This act restores more than artefacts—it restores dignity, identity, and pride to our people,” he said.

The ceremony comes amid a backdrop of long-standing tensions between AngloGold Ashanti and communities in the central Ashanti region. Local residents have accused the company of reaping profits from the region’s mineral wealth while contributing little to local development. Analysts believe that the return of the artefacts could serve as a step toward rebuilding trust and fostering reconciliation.

The items will be housed at the Manhyia Palace Museum, which already displays 32 artefacts returned last year on a three-year loan agreement between the British Museum, the Victoria and Albert Museum (V&A), and the Asante royal household.

According to Manhyia Palace Museum director Ivor Agyeman-Duah, the newly returned treasures include ornaments once used in royal processions and sacred ceremonies, further enriching the kingdom’s cultural archive. “Each artefact tells a story of resilience and artistry, and their return allows us to re-engage with our past on our own terms,” he said.

The history of the Asante treasures is intertwined with the turbulent Anglo-Asante wars of the late 19th century, during which British colonial forces invaded Kumasi, looting the royal palace twice—in 1874 and again in 1900. Countless gold artefacts, thrones, and ceremonial objects were taken to Europe, where many ended up in museums or private collections.

Across Africa, momentum has been building for the restitution of such items. In recent years, several European nations have begun returning looted cultural heritage to their rightful owners. Germany’s 2022 return of Benin bronzes to Nigeria marked a turning point, followed by France and Belgium pledging similar actions.

While some items returned to Africa are still technically “on loan,” the Asante Palace described the latest transfer as permanent and unconditional — a crucial distinction in the ongoing global conversation about cultural ownership.

As the golden treasures gleamed once more in the Asante royal court, King Osei Tutu II reflected on their return not merely as an end to colonial plunder but as a renewal of identity. “Our ancestors’ voices echo through these artefacts,” he said. “Their homecoming reminds us that history, though scarred, can still heal.”